Johnny Pate Outrageous Rarlab

John William 'Johnny' Pate (born December 5, 1923, Chicago Heights, Illinois) is a former jazz bassist who became a producer, arranger, and leading figure in Chicago.

Born in Chicago Heights, Illinois, Dec 5, 1923, Johnny Pate is a self-taught bassist and arranger, having learned these skills while serving in the 218th AGF Army Band during World War II. After his discharge in 1946, he played with Coleridge Davis’ big band and from 1947 to 1949 worked, in succession, with jazz violinists Stuff Smith and Eddie South. While performing with South, Johnny furthered his musical training by studying at Chicago’s Midwestern Conservatory from 1951 to 1953. In ’53-’54 he was with Dorothy Donegan’s Trio and moved from there to the Ahmad Jamal Trio in 1956. Hotspot Shield For Iphone 4 Cracked Color. During this same time period, Johnny worked for the Club De Lisa as the arranger of its shows’ production numbers, which were modeled after the famous Cotton Club reviews in Harlem. The feature male singer in the show was a young man by the name of Joe Williams.

Johnny and Joe became. The first “Shaft” movie soundtrack, scored by Isaac Hayes, was one of the most popular and innovative soundtracks for its time. For the second Shaft movie, director Gordon Parks tried to make the soundtrack himself and didn’t fare nearly as well.

For the third in the series, “Shaft in Africa”, the call went to Johnny Pate. Pate was a great choice, because like Hayes, Pate had the background in sophisticated orchestral arranging as well as a background performing street tough funky RnB.

Its this combination of conga and wah-wah guitar driven rhythms topped with slick modern orchestrations that are the hallmark of the highly collectable 70s crime jazz soundtrack commonly referred to as “blaxploitation”. This is a very well done soundtrack and all the classic blaxploitaion elements are here: African percussion, bold panoramic horn driven melodies, exotic tone colors and plenty of wah-wah guitars and clavinets for everyone. Mitchy Slick Mitchy Duz It Forme. Pate’s approach is slightly more traditional than Hayes, his romantic numbers like “Aleme finds Shaft” sound more like classic movie soundtracks than modern RnB, but the upbeat numbers are not lacking in contemporary funk rhythms. One highlight is “El Jardin” on which a hard piano riff is topped with an exotic oboe melody backed by pizzacato strings, pure heaven for the exotica collector. Early hip-hop fans may recognize the piano riff as being the background for one of Queen Latifah’s first hits.